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George Russell Lydian Chromatic total expansion
F · Scale
F Lydian Chromatic Scale
George Russell Lydian Chromatic total expansion
بداية موجهة
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جرب أولاً
الأوتار والسلالم
الخطوة التالية
اكتب المقام + السلم (مثال: C Major أو F Dorian)
- الأوتار والسلالم
- Tones: 12
- Relations
F Lydian Chromatic Scale: F, G, A, B, C, D, E, Eb, Db, Bb, Ab, Gb
F Lydian Chromatic Scale · Scale · F · 12 Tones
شبكة هذا الوتر أو السلم مع علاقات الاحتواء والتضمين.
اكتب المقام + السلم (مثال: C Major أو F Dorian)
F Lydian Chromatic Scale
Public
Scale
• 1,1,1,1,1,1,1,1,1,1,1,1 • 12 tones
الأوتار والسلالم
Matches
Description / Aliases
George Russell Lydian Chromatic total expansion
Aliases
Lydian Chromatic
Chromatic
Twelve Tone
Generic fingering match
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Tones
Selected relation
Current
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Note: F
Interval: 1
Degree: 1
MIDI: 53
Hz: 554.37
Relations
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Note: G
Interval: 2
Degree: 3
MIDI: 55
Hz: 622.25
Relations
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Note: A
Interval: 3
Degree: 5
MIDI: 57
Hz: 698.46
Relations
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Note: B
Interval: #4
Degree: 7
MIDI: 59
Hz: 783.99
Relations
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Note: C
Interval: 5
Degree: 8
MIDI: 60
Hz: 415.31
Relations
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Note: D
Interval: 6
Degree: 10
MIDI: 62
Hz: 466.16
Relations
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Note: E
Interval: 7
Degree: 12
MIDI: 64
Hz: 523.25
Relations
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Note: Eb
Interval: b7
Degree: 11
MIDI: 63
Hz: 523.25
Relations
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Note: Db
Interval: b6
Degree: 9
MIDI: 61
Hz: 466.16
Relations
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Note: Bb
Interval: 4
Degree: 6
MIDI: 58
Hz: 783.99
Relations
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Note: Ab
Interval: b3
Degree: 4
MIDI: 56
Hz: 698.46
Relations
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Note: Gb
Interval: b2
Degree: 2
MIDI: 54
Hz: 622.25
Relations
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شبكة هذا الوتر أو السلم مع علاقات الاحتواء والتضمين.
Consonance heuristic
Mixed
Set: 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11
Vector: [12, 12, 12, 12, 12, 6]
Score: -0.36
balanced
This set has 12 pitch classes, 18 close/tritone pressure points and 36 consonant-support intervals; average heuristic score: -0.36.
| Interval | Count | Weight | Contribution |
|---|---|---|---|
| m2 / M7 | 12 | -5 | -60 |
| M2 / m7 | 12 | -2 | -24 |
| m3 / M6 | 12 | +2 | +24 |
| M3 / m6 | 12 | +2 | +24 |
| P4 / P5 | 12 | +3 | +36 |
| Tritone | 6 | -4 | -24 |
Consonance graph
Bridge candidates
2040 candidates
| Target | Shared tones | Pivot | Voice-leading | Δ consonance | Bridge score |
|---|---|---|---|---|---|
|
Db mMaj7
Chord
Release
|
F, Gb, A, Db | F, Gb, A, Db | 0.42 | 1.36 | 0.57 |
|
Db sus4add13
Chord
Release
|
Gb, B, Db, Eb | Gb, B, Db, Eb | 0.42 | 1.36 | 0.57 |
|
D add9
Chord
Release
|
G, A, B, D | G, A, B, D | 0.42 | 1.36 | 0.57 |
|
D Augmented
Scale
Release
|
Gb, G, B, Eb | Gb, G, B, Eb | 0.42 | 1.36 | 0.57 |
|
D m7#5
Chord
Release
|
F, G, Bb, Eb | F, G, Bb, Eb | 0.42 | 1.36 | 0.57 |
|
D mAdd11
Chord
Release
|
G, Bb, C, D | G, Bb, C, D | 0.42 | 1.36 | 0.57 |
|
D Maj7#5
Chord
Release
|
Gb, G, B, Eb | Gb, G, B, Eb | 0.42 | 1.36 | 0.57 |
|
D mMaj7
Chord
Release
|
Gb, G, Bb, D | Gb, G, Bb, D | 0.42 | 1.36 | 0.57 |
|
D sus4add13
Chord
Release
|
G, C, D, E | G, C, D, E | 0.42 | 1.36 | 0.57 |
|
Eb add9
Chord
Release
|
Ab, Bb, C, Eb | Ab, Bb, C, Eb | 0.42 | 1.36 | 0.57 |
|
Eb Augmented
Scale
Release
|
G, Ab, C, E | G, Ab, C, E | 0.42 | 1.36 | 0.57 |
|
Eb m7#5
Chord
Release
|
Gb, Ab, B, E | Gb, Ab, B, E | 0.42 | 1.36 | 0.57 |