Zambra: binary compás, ceremony, and Granada colour
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Sep 12, 2026, 4:37 AM
Zambra as a rhythmic space where ceremonial gesture meets popular pulse.
Peteneras: twelve-beat compás and narrative memory
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Sep 11, 2026, 4:37 AM
Petenera as a twelve-beat structure with a distinctive narrative character.
Dance taranto: dramatic pulse and free cante
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Sep 10, 2026, 4:37 AM
Distinguishing free taranta from taranto in compás in order to build convincing accompaniment.
Flamenco rumba: binary cycle, anticipation, and movement
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Sep 9, 2026, 4:37 AM
Rumba as a groove whose energy is shaped by harmonic anticipation.
Guajiras: ida y vuelta, hemiola, and ternary elegance
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Sep 8, 2026, 4:37 AM
The guajiras compás as a meeting of American memory and flamenco syntax.
Garrotín: binary compás and controlled theatricality
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Sep 7, 2026, 4:37 AM
Garrotín as a light form that demands formal clarity.
Farruca: symmetry, restraint, and stage authority
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Sep 6, 2026, 4:37 AM
Farruca as an austere binary compás shaped by clear choreography.
Sevillanas: phrase, compás, and social choreography
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Sep 5, 2026, 4:37 AM
Sevillanas as a strophic form where metre, gesture, and collective memory meet.
Fandangos de Huelva: ternary compás and narrative cadence
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Sep 4, 2026, 4:37 AM
Fandangos de Huelva as a cycle of accent, copla, and harmonic response.
Tanguillos: ambiguity between binary and ternary metre
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Sep 3, 2026, 4:37 AM
The character of tanguillos as a metric game between groups of two and three.
Tientos: the slow elasticity of binary compás
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Sep 2, 2026, 4:37 AM
How to study tientos without turning them into slow tangos or free cante.
Tangos: binary compás, grounded pulse, and syncopation
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Sep 1, 2026, 4:37 AM
The tangos pulse as a workshop for grounded rhythm, offbeats, and popular song.