Theory – Circle of Fourths – Diminished (Whole-Half)
Theory – Circle of Fourths – Diminished (Whole-Half) · Displayed in: C · Root: C · Progression: C Diminished (Whole-Half) - F Diminished (Whole-Half) - Bb Diminished (Whole-Half) - Eb Diminished (Whole-Half) · Events: 12
Study the progression in its active key, transpose it when useful, and move between progression, structure, timeline, and graphical views before playing or editing.
Listen once before changing the view
- Choose the displayed key and read the progression summary.
- Use the tabs to compare progression, structure, timeline, and graphical relationships.
- Play the harmony, edit only when you understand the event structure, and return to the harmony list for another example.
Chord/Scale
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C Diminished (Whole-Half)C D D# F F# G# A B
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F Diminished (Whole-Half)F G G# A# B C# D E
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Bb Diminished (Whole-Half)A# C C# D# E F# G A
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Eb Diminished (Whole-Half)D# F F# G# A B C D
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Ab Diminished (Whole-Half)G# A# B C# D E F G
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Db Diminished (Whole-Half)C# D# E F# G A A# C
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Gb Diminished (Whole-Half)F# G# A B C D D# F
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B Diminished (Whole-Half)B C# D E F G G# A#
Hear the logic inside this progression
Read the active key
The active key changes the displayed voicing and related pitch information; use the transpose control to compare the same progression in another tonal center.
Compare structure and timeline
Progression and structure explain what is present; timeline and graphical views help you verify when it happens and how the voices move.
Sing the bass movement before transposing it
- Choose the displayed key and read the progression summary.
- Use the tabs to compare progression, structure, timeline, and graphical relationships.
- Play the harmony, edit only when you understand the event structure, and return to the harmony list for another example.