JolyGuitar

Byzantine Triad Runs on Guitar

C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.

Published Jun 17, 2026, 10:00 AM

C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.

C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.

The augmented-second zones are the reason for the dedicated runs. If Db or Ab is treated like a passing chromatic note, the cycle loses its gravity.

Performance practice runs

Each card below follows a real JolyGuitar study. The notes, harmony movement, and fretboard range are ready for focused practice.

Cycle 2

Performance
Byzantine triad - cycle 2 - close
TitleByzantine triad - cycle 2 - close
Study#254 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 2 - spread
TitleByzantine triad - cycle 2 - spread
Study#255 - Guitar performance
Public studyReady to playLoading performance...

Cycle 3

Performance
Byzantine triad - cycle 3 - close
TitleByzantine triad - cycle 3 - close
Study#256 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 3 - spread
TitleByzantine triad - cycle 3 - spread
Study#257 - Guitar performance
Public studyReady to playLoading performance...

Cycle 4

Performance
Byzantine triad - cycle 4 - close
TitleByzantine triad - cycle 4 - close
Study#258 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 4 - spread
TitleByzantine triad - cycle 4 - spread
Study#259 - Guitar performance
Public studyReady to playLoading performance...

Cycle 5

Performance
Byzantine triad - cycle 5 - close
TitleByzantine triad - cycle 5 - close
Study#260 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 5 - spread
TitleByzantine triad - cycle 5 - spread
Study#261 - Guitar performance
Public studyReady to playLoading performance...

Cycle 6

Performance
Byzantine triad - cycle 6 - close
TitleByzantine triad - cycle 6 - close
Study#262 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 6 - spread
TitleByzantine triad - cycle 6 - spread
Study#263 - Guitar performance
Public studyReady to playLoading performance...

Cycle 7

Performance
Byzantine triad - cycle 7 - close
TitleByzantine triad - cycle 7 - close
Study#264 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 7 - spread
TitleByzantine triad - cycle 7 - spread
Study#265 - Guitar performance
Public studyReady to playLoading performance...

Practice notes

Name Db and Ab every time they appear. The fingering should teach the ear that these notes belong to the scale.

Keep one bar per chord. The discipline is to hear the full harmony, watch the voice movement, and let the hand learn the nearest playable shape without breaking the cycle.

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