JolyGuitar

Byzantine Triad Runs on Guitar

C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.

Published Jun 17, 2026, 10:00 AM

C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.

C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.

The augmented-second zones are the reason for the dedicated runs. If Db or Ab is treated like a passing chromatic note, the cycle loses its gravity.

Performance practice runs

Each card below follows a real JolyGuitar study. The notes, harmony movement, and fretboard range are ready for focused practice.

Cycle 2

Performance
Byzantine triad - cycle 2 - close
TitleByzantine triad - cycle 2 - close
Study#254 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 2 - spread
TitleByzantine triad - cycle 2 - spread
Study#255 - Guitar performance
Public studyReady to playLoading performance...

Cycle 3

Performance
Byzantine triad - cycle 3 - close
TitleByzantine triad - cycle 3 - close
Study#256 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 3 - spread
TitleByzantine triad - cycle 3 - spread
Study#257 - Guitar performance
Public studyReady to playLoading performance...

Cycle 4

Performance
Byzantine triad - cycle 4 - close
TitleByzantine triad - cycle 4 - close
Study#258 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 4 - spread
TitleByzantine triad - cycle 4 - spread
Study#259 - Guitar performance
Public studyReady to playLoading performance...

Cycle 5

Performance
Byzantine triad - cycle 5 - close
TitleByzantine triad - cycle 5 - close
Study#260 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 5 - spread
TitleByzantine triad - cycle 5 - spread
Study#261 - Guitar performance
Public studyReady to playLoading performance...

Cycle 6

Performance
Byzantine triad - cycle 6 - close
TitleByzantine triad - cycle 6 - close
Study#262 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 6 - spread
TitleByzantine triad - cycle 6 - spread
Study#263 - Guitar performance
Public studyReady to playLoading performance...

Cycle 7

Performance
Byzantine triad - cycle 7 - close
TitleByzantine triad - cycle 7 - close
Study#264 - Guitar performance
Public studyReady to playLoading performance...
Performance
Byzantine triad - cycle 7 - spread
TitleByzantine triad - cycle 7 - spread
Study#265 - Guitar performance
Public studyReady to playLoading performance...

Practice notes

Name Db and Ab every time they appear. The fingering should teach the ear that these notes belong to the scale.

Keep one bar per chord. The discipline is to hear the full harmony, watch the voice movement, and let the hand learn the nearest playable shape without breaking the cycle.

Recent posts
Listening journal
Events: 0

Records chord/scale plays and global output tone groups (tones + intervals only).

Advanced audio
Generate and preview band-style accompaniment for chord-grid playback.
RX

Use advanced audio settings as the playback source for chord-grid clicks, test chord charts, and inspect the generated accompaniment.

Harmony chords stay unchanged.
Uses JolyEngine sounds; harmony and bass stay unchanged.
Shift the preset runner shape by this amount after each full preset pass. Example: 1 runs the preset, then the same preset shifted by one step, then again by one more.
Multi-track engines
Route each generated JolyEngine track with the shared engine form while autoplay is active.
0
Output
Master
1
Bass
2
Comping
3
Melody
4
Solo
5
Drums
Available styles
Graphical Options

Configure navigation behavior for Graphical Harmony network view.