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Guitar practice notes for public JolyGuitar triad-run performances, focused on close and spread voicings through major, harmonic minor, melodic minor, and Byzantine cycles.
Published Jun 20, 2026, 10:00 AM
C melodic minor keeps the minor third but raises the sixth and seventh, giving CmMaj7, Dm7, Ebmaj7#5, F7, G7, Am7b5, and Bm7b5.
Published Jun 19, 2026, 10:00 AM
C harmonic minor produces a sharper seventh-chord field: CmMaj7, Dm7b5, Ebmaj7#5, Fm7, G7, Abmaj7, and Bdim7.
Published Jun 18, 2026, 10:00 AM
The four-note major-scale set adds the seventh to each triad: Cmaj7, Dm7, Em7, Fmaj7, G7, Am7, and Bm7b5.
Published Jun 17, 2026, 10:00 AM
C altered is dominant tension in compact form: C, Db, Eb, E, Gb, Ab, and Bb. The triads turn those tensions into playable guitar objects.
Published Jun 17, 2026, 10:00 AM
C Byzantine, also called C double harmonic major, uses C, Db, E, F, G, Ab, and B. Its triads make the flat second and flat sixth structural, not decorative.
Published Jun 17, 2026, 10:00 AM
C harmonic minor triads put Cm, Ddim, Ebaug, Fm, G, Ab, and Bdim into the same cycle discipline as the major studies.
Published Jun 17, 2026, 10:00 AM
C melodic minor triads keep the minor tonic color while raising A and B, producing Cm, Dm, Ebaug, F, G, Adim, and Bdim.
Published Jun 16, 2026, 10:00 AM
C Enigmatic keeps C as the center but bends the field with Db, F#, G#, A#, and B, so the triads behave like bright altered landmarks.
Published Jun 15, 2026, 10:00 AM
C major triads are the reference set for the JolyGuitar cycle work: C, Dm, Em, F, G, Am, and Bdim.